About

Making worlds that stay with you.

Growing up, I loved how a film could pull me into a world I’d never seen and leave me thinking about it long after it ended. That feeling drew me to CGI. It’s still what I’m after when I make something for an audience.

Sylva, an armoured gorilla, with his helmet lit by fire — Sylva · Kingdom of the Planet of the Apes / Texture work

CGI

The craft behind the image

I’ve worked across texturing, surfacing, modelling, and asset supervision in film and television. I love the small details that make an invented world feel lived in, like where a costume wears through or what the marks on a piece of armour tell you about who’s worn it.

Explore my CGI work

Looking ahead

What AI opens up

I’m excited about what AI can open up for artists. In my worldbuilding experiments, I can get a rough idea on screen sooner, see what it suggests, and decide where to take it. I’m looking forward to seeing what people make when they have more room to try out the ideas they might otherwise set aside.

Explore my AI worldbuilding